Plate 6" x 9" Note: The present print is an example of a later state of impression and attributed to state 8/9, and likely published in The Portfolio of 1878. $1,200, The MastEtching and drypoint, 1879-80, Kennedy 195, (iv/VI)**, edition unknown. The margins are wide and probably full. 2 3/16 x 2 in. 4 x 5 in. This is a good albeit late impression after the cancellation marks have been removed. Around this time, Whistler was beginning to establish his technique of tonal harmony based on a limited and pre-determined color palette. 2. Signed and dated in the plate. Image size: 129x202mm. 8 1/16 x 5 3/4 in. This is a fine impression printed on off-white laid paper. Provenance: Knoedler, New York.SOLD, The MillEtching, 1889, Kennedy 413 (ii/V), very small edition. He was transferred to the etching division of the U.S. Coast Survey, where he lasted there only two months, but learned an etching technique that would be used later in his artistic career. This is an especially fine impression printed on light cream laid paper with full margins. This painting was recognized as “iconic” in 1934 when the United States issued a postage stamp featuring an adaptation of the painting. This is a fine, dark impression of the final state, before cancellation. Whistler painted them with a blue or light green tonal palette. Provenance: Private collection, New England.SOLD, Reading by LamplightEtching and drypoint, 1859, Glasgow 37 (iii/III); Kennedy 32 (ii/II), Glasgow lists forty known impressions. (Thames Set) One 2-mm missed inking spot between the two ship masts on the right; otherwise an excellent proof. Signed and dated in the plate. The condition is fine. The margins are wide and the condition is very good. 4 3/4 x 3 1/8 in. Customize your james whistler print with hundreds of different frames and mats, if desired. Signed in the plate. Atlanta, Georgia 30328 | 877.481.5750, James Abbott McNeill Whistler In Worthopedia®, What Is It and What Is It Worth? The condition is very good apart from slight lightening of the paper within an earlier mat opening. The margins are wide. There were two formal editions of the "French Set," ('Twelve Etchings from Nature'); the Paris edition of twenty impressions (3rd state), and the English edition of 50 impressions in the fourth state. Signed in the plate. Find the Value of your James Abbott McNeill Whistler. Our impression is inscribed on the verso in ink, "F. Goulding, Printer, Nov. 27, 1903." Whistler took private art lessons and excelled. This is a very fine impression printed on cream laid paper without a watermark. Fine impression on thin laid paper, typical of early impressions of The Thames Series etchings (1859-61), with good margins; some old glue stains at the sheet edges. The initials "RB" appear on the verso in ink which is not listed in Lugt.SOLD, Vauxhall BridgeEtching, 1861, Kennedy 70, (ii/II), edition unknown. The condition is excellent. With the initials verso in pencil, "EW"; not in Lugt.SOLD, Title page for the French Set (Douze Eaux Fortes d'après Nature)Etching, 1858, Glasgow 22, Kennedy 25; (only state), edition unknown. An impression of the first state has not been located by the Whistler Etchings Project. 5 3/4 x 8 1/2 in. SOLD, Longshore MenEtching, 1859, Glasgow 52 (iii/IV); Kennedy 45 (i/I), edition unknown. AnnieEtching, 1857-58, Kennedy 10, (iv/V), edition unknown. (The condition is very good apart from slight toning in the outer extremities of the margins.) Find the Value of your James Abbott McNeill Whistler. Nearly twenty years after it was originally etched Billingsgate was published by Philip Gilbert Hamerton (1834-1894) in 1878. The printed surface is pristine. The condition is very good apart from a very faint suggestion of discoloration from a previous mat opening and tape reside in places, verso, not affecting the image in any way. The dramatic inking of the plate conveys a Rembrandt like flair of detail and shadow; successfully rendered on a very small scale. In 1844, Whistler met the noted artist Sir William Allan, who came to Russia with a commission to paint a history of the life of Peter the Great. Drypoint. Provenance: Wunderlich & Co., New York.SOLD, The Unsafe TenementEtching, 1858, Kennedy 17 (iv/IV); edition unknown. James Whistler Etchings & Lithographs. 6 1/8 x 8 7/8 in. Whistler made more than 50 etchings of Venetian subjects. Price: $1775. Thirty-nine impressions of this important etching are listed in museum collections and today it's considered to be an uncommon print.SOLD, The KitchenEtching, 1858, Glasgow 16 (ii/II); Kennedy 24 (ii/III); Glasgow cites 67 known impressions. Beginning in 1842, his father was employed to work on a railroad in Russia. The margins are wide and the condition is quite good other than for a very faint suggestion of toning from an early mat opening. 55. This is a newly discovered state between iv and v, with the butterfly just added but before the background is cleaned. 6 x 9 in. A superb impression of the rare first state. The margins are substantial measuring about 1 1/8" to 1 1/2" in. This is one of Whistler's most popular early etchings. Signed, dated and titled in the plate. 42 iii. 171."). Favorite. This early work was published in this state as part of the French Set. This is a fine, crisp impression printed with light plate tone. Period19th century. This view of the Thames was just up-river from where Whistler lived in Chelsea. 12 x 8 1/4 in. Location: Atlanta, GA, US. )$2,600, Thames PoliceEtching and drypoint, 1859, Glasgow 53, (v/v), Kennedy 44, (iii/III); edition unknown. Whistler then left America, never to return. 41. The paper should be old, but not falling apart or stained to achieve a higher price. It was then printed for the English edition of the 'French Set.'" Whistler's famous butterfly signature first developed in the 1860s and is a product of his interest in Asian art. She was also known to be a woman of vivid and fiery character. Black Lion Wharf was published with the rest of the set in 1871 by Ellis and Green. This outstanding early work by Whistler was published in the "French Set" in this state with the name and address of the printer in the lower right ("Imp. There were two formal editions of the "French Set," ('Twelve Etchings from Nature'); the Paris edition of twenty impressions (3rd state), and the English edition of 50 impressions in the fourth state. This is a fine, crisp impression printed without much plate tone. After West Point, Whistler worked as draftsman mapping the U.S. coast for military and maritime functions. Edward Guthrie Kennedy, Royal Cortissoz The Etched Work of Whistler: illustrated by reproductions in collotype of the different states of the plates.The Grolier Club, 1910, cat. ... We will research its value and popularity for you. Explore over 425 Million “sold for” prices with item details and images. This remarkable proof impression sheds new light on current Whistler scholarship. An oil on canvas portrait sold for over $300k in 2013. 1897. Alice Newlin "A Gift of Prints and Drawings: The Prints… "Fumette," ("Eloise"); a working girl, a young seamstress or milliner, described in the Glasgow catalogue as a "grisette." This successful print was never part of a published set, i.e. Whistler etchings are not terribly rare, so the condition plays an important role in determining the value. Credit LineGift of William K. Macy III ’67 and Susan Schweickert Macy ’67. A Child on a Couch No. The plate was subsequently cancelled.SOLD, The KitchenEtching, 1858, Glasgow 16 (ii/III), Kenedy 24 (ii/III); 67 impressions are recorded in the Glasgow catalogue. As published in the Gazette des Beaux-Arts in 1903. or Best Offer. Whistler used highly thinned paint, which he called “sauce,” as a ground, with lightly applied color to indicate ships, lights, and shoreline. Original etching. This is a very good impression as published in the Thames Set. As indicated in the plate, this impression was printed by Delatre in Paris and was published as part of Whistler's French Set. (There's a skillful and barely noticeable repaired split in the upper left margin which goes to the image but not within. James McNeill Whistler's original etching, Billingsgate was printed and published by P. G. Hamerton in 1880 for his set entitled, Etching and Etchers.All plates from James Abbott McNeill Whistler's The Thames Set (including Billingsgate) were canceled in 1897.This landscape etching is a fine, original example of the famous etched art created by James A. McNeill Whistler and … The margins are wide and probably untrimmed. This is a very fine, dramatic impression printed in 1903 by Frederick Goulding. This impression is printed on a laid paper with a partial crown and shield watermark.SOLD, VenusEtching, 1859, Kennedy 59, (ii/II); edition unknown. SOLD, The BeggarsEtching and drypoint, 1879-1880, Kenedy 194 (ix/IX), Glasgow 190 (xvii/XVII); 57 known impressions cited in Glasgow. This outstanding Venice etching was published in the First Venice Set.SOLD, The Little PoolEtching and drypoint, 1861, Glasgow catalogue 79 (ix/IX), Kennedy 74 (viii/IX); 76 impressions cited in Glasgow. 8 7/8 x 6 1/8 in. Very good condition apart from a couple of ink smudges in the margin and two other tiny spots of discoloration. James Abbott McNeill Whistler. This outstanding, early work was published in the French Set in this state. This program traces the development of Whistler's style and techniques, from his earliest French Set etchings of the 1850s through the images of Venice and Amsterdam completed toward the end of his career. SOLD, La Vieille au Loques (The Old Rag Woman)Etching and drypoint, 1858, Glasgow 27 (iii/IV), Kennedy 21 (ii/III); edition unknown. Mediumetching on paper. The condition is excellent. The condition is fine. 2 3/4 x 3 1/2 in. Minor discoloration along the very top edge of the sheet. This is a very fine impression printed on antique cream laid paper without a watermark. Trimmed along the platemark. 6 x 8 7/8 in. This is a very fine impression printed in dark brown ink on cream-colored laid paper. His black-and-white lithographs, however, are still quite striking. Although he is probably most famous for his portrait of his mother, artist James Abbott McNeill Whistler (American, 1834-1903) is also acknowledged as the finest etcher since Rembrandt. Object number1991.015. The margins appear to be full and untrimmed. Trimmed on three sides to the platemark and with 1/2" of margin on the top, presumedly by the artist. This print, along with the Limeburner (Glasgow 55), are probably the two best images from the Thames Set. "The Beggars" is from Whistler's First Venice Set (A Series of Twelve Etchings). This charming print was published as part of the Second Venice Set. Etching. 8 3/4 x … This is a fine impression of this rare print. Signed and dated in the plate, lower right. This is a very fine, lifetime impression printed with plate tone on a thin China paper. Drouet, SculptorEtching and drypoint, 1859, Glasgow 3 (ii/II, restored), Kennedy 55 (ii/II), edition unknown. James Abbott McNeill Whistler was an American artist active during the American Gilded Age and based primarily in the United Kingdom. 4 3/8 x 5 5/8 in. The family subsequently moved back to America. © 2021 - WorthPoint Corporation | 5 Concourse Parkway NE, Suite 2850. Etching with drypoint and roulette. A larger Whistler etching, called “The Palaces,” was valued at $20,000 to $30,000 by experts on “Antiques Roadshow” in 2015. When a model failed to appear for Whistler, he turned to his mother and suggested that he do her portrait. Add to. Signed in the plate, lower left. Artist James Abbott McNeill Whistler (American, 1834 – 1903) Date1858. And inscribed on verso at the right in the artist’s hand ‘1st proof pulled’ together with butterfly monogram, 6 ½ in. Auguste Delâtre was the printer and his name and address appear in the plate, lower right.$8,000, The Little MastEtching and drypoint, 1879-1880, Glasgow 196 (v/VIII); Kennedy 185 (iv/IV), edition 50. The condition is excellent apart from traces of two old paper hinges on the right side, verso, which are inconsequential. F.K." x 9 ½ in. 9 1/8 x 4 1/4 (10 1/2 x 7 1/8). The paper is a thin Japanese and the margins are probably full. London became his adopted home. Whistler: The Etchings James McNeill Whistler is best known as a painter, but his graphics are of equal importance. This early print is described by Katharine Lochnan as, "Whistler's first landscape etching." One of the very rare Amsterdam etchings printed in proofs only. (The watermark, Britannia, is listed as #60 (lifetime impressions) in the Art Institute volume II on Whistler's lithographs.) The condition is fine apart from very slight toning along the top edge of the sheet. no. Signed in the plate, lower right. On the Battersea dawn, the other Whistler, I would put a replacement value of approximately $6,000. Both his temperament and compositions are indicative of Whistler’s (Goulding printed 22 proofs to complete the project.) The Glasgow online catalogue of Whistler's etchings cites 54 known impressions of this work. The sitters have not been indentified.$2,500, HurlinghamEtching, 1879, Kennedy 181 (iii/III); edition unknown. 13 3/4 x 10 1/4 (sheet 16 3/4 x 11 5/8). In 1888, Whistler married Beatrix Godwin. James Abbott McNeill Whistler, (1834-1903) - La Vieille aux Loques, 1858, JAMES ABBOTT MCNEILL WHISTLER "Billingsgate" Etching, Vintage Whistlers Mother Print 9x8 Campbell Prints Framed No Glass James Abbott, James Abbott McNeill Whistler (American-British,1834-1903) Lithograph Or Etching, JAMES ABBOTT MCNEILL WHISTLER (1834-1903) Black Lion Wharf Original Etching, JAMES ABBOTT McNEILL WHISTLER Original Lithograph "Pennell by Firelight" 1896, James Abbott McNeill Whistler Dry Point Etching Print 'Rotherhithe' Unframed, James Abbott McNeill Whistler (American, 1834-1903), James Abbott McNeill Whistler Rotherhithe Etching, FINE ART JAMES ABBOTT MCNEILL WHISTLER 1860 PRINT ROTHERHITHE DRYPOINT ETCHING, James Abbott McNeill Whistler Gants de Suede Lithograph, James Abbott McNeill Whistler "A Portrait. 5 7/8 x 8 3/4 in. Edward Guthrie Kennedy, Royal Cortissoz The Etched Work of Whistler: illustrated by reproductions in collotype of the different states of the plates.The Grolier Club, 1910, cat. Signed and dated in the plate, lower right. Framed and in excellent condition. On the Rembrandt, The Peasant Family and the Tramp, that's going to have a replacement value … Glasgow cites 56 known impressions which makes this an uncommon print. The etching and drypoint is signed ‘ Whistler 1859’ in plate to lower right margin. The dramatic inking of the plate conveys a Rembrandt like flair of detail and shadow; successfully rendered on a very small scale. Signed in the plate with the artist's butterfly signature. It was then printed for the English edition of the 'French Set.'" A fine impression printed by Porcabeuf on cream laid paper. James Abbot McNeill Whistler Biography. no. Signed and dated in the plate. 5 1/4 x 3 7/8 in. The margins are most likely full with a deckle edge on three sides. The paper is a cream, fine laid with a strasbourg lily watermark. This is a fine, strong impression printed on light cream laid paper without a watermark. Fourth state impressions are far more desirable than final state impressions. SOLD, Little ArthurEtching, 1857-58, Glasgow 8 (iv/IV), Kennedy 9 (v/V); 61 impressions are noted in the Glasgow catalogue. The same split extends slight along the platemark.) This print was published as part of Whistler's celebrated Thames Set in 1871. $5,800, C.L. The condition is also fine. $2,400, BillingsgateEtching, 1859, Kennedy 47 (viii/VIII). 1883 James McNeill Whistler Etching “Portrait de ma Mere” Whistler’s Mother... for Sale, BEST OFFER or Auction » 2d 18h 54m (time left) Price: 295.00 Your local currency » 100 year old original etching print 'Wheelwright' James M. Whistler 1920's... for Sale, BEST OFFER or Auction » 3d 23h 11m (time left) Price: 95.00 Your local currency » 9 x 6 1/4 in. The condition is very good. Signed in the plate. This lovely landscape print is known in 38 impressions in the Glasgow catalogue. (See The Unsafe Tenement (K17) for some similarities. Whistler painted his first exhibited work, "La Mere Gerard" (1858) and followed it by painting "At the Piano" (1859). The margins are substantial. In 1866, Whistler decided to visit Valparaíso, Chile. Ex-collection: H.H. (In the third state the legs have been redrawn to be closer together. This is one of Whistler's most popular early etchings. The condition is fine apart from a few tiny, incidental losses here and there at the sheet edges. Signed on the tab, lower left, with the pencil butterfly and "imp." The margins measure about 1" along the sides and bottom and 1/2" along the top. Whistler was prolific with his prints, producing numerous etchings, lithographs, and dry-points. Identify your James Abbott McNeill Whistler Marks. Joseph Pennell Adventures of an Illustrator, mostly … This is a very fine impression printed with plate tone on chine appliqué. 6 1/4 x 9 3/8 in. View original art by James Abbot McNeill Whistler available for sale including his etchings and lithographs. Prints should be signed, typically “Whistler,” within the plate and will sometimes be dated as well. Signed in the plate upper right. This is a superb, crisp impression printed in black ink on chine appliqué. KAWS, COMPANION, and Luxury Collectibles, By continuing to use the site, you are consenting to the use of cookies as explained in our, more than 50 etchings of Venetian subjects, the butterfly, which is written in pencil. There is an inscription verso in pencil, "This proof, before steel-facing, was given by Whistler to the recent owner in the year 1865. This is a superb, dark impression printed on light cream laid paper. He studied in Paris and London. A fine, dark impression with full margins.SOLD, Black Lion WharfEtching, 1859, Glasgow 54 (iv/IV); Kennedy 42 (iii/III), Glasgow cites 104 impressions. Signed in the plate, lower left. James Abbott Whistler was born July 11, 1834, in Lowell, Massachusetts. The margins are full. Very good condition. Drouet, Sculptor Etching and drypoint, 1859, Glasgow 3 (ii/II, restored), Kennedy 55 (ii/II), edition unknown. 5 x 8 in. Only known state: only impressions from the cancelled plate are known for this etching. This stellar print was published as part of the Thames Set. c. 1894. It is framed and has not been examined out of the frame. 8 3/4 x 6 in. Benedict (Lugt 1298).SOLD, PierrotEtching, 1889, Kennedy 407 (iv/IV). WorthPoint is the largest resource online for identifying, researching and valuing antiques. Original etching. The young artist followed the traditional curriculu… The paper is Japanese and the margins are probably full and untrimmed. He was hired to build a rail from St. Petersberg to Moscow, and therefore, the family relocated to St. Petersberg. Trimmed along the platemark as usual. "The copper plate may have been reduced in size in London, and Delâtre's name removed, for the fourth state, when Whistler and Haden undertook to print the edition. 6 x 9 in. The etchings include portraits of family, mistresses, and intimate street scenes in London and Venice, where in 1879 Whistler lived with his mistress, Maud Franklin, for 14 months. Condition Disclaimer Under the Conditions of Sale … The condition is very good and the margins are wide. A rich impression printed on … $5,800: C.L. Whistler also painted notable portraits Thomas Carlyle (historian,1873), Maud Franklin (Whistler’s mistress, 1876), Cicely Alexander (daughter of a London banker, 1873), Lady Meux (socialite, 1882), and Théodore Duret (critic, 1884). If its an etching, it looks like you could get upwards of $8,500 for it, if its a signed lithograph then start at $2,000, but from what i can see most are sold out, so if … The Etchings and Drypoints of James McNeill Whistler . The sojourn produced Whistler's first three nocturnal paintings, which were night scenes of the harbor. The condition is very good apart from minor staining at the upper edge of the top margin and along the extreme left edge.
Nba Championship Odds 2021, Mairie Courbevoie Passeport, Frame Tv In Dining Room, In Light Of The Above Discussion, Matador Dance Show, Don Yesso Height, Tibial Spine Fracture Rehab Protocol,